Vybz Kartel wins Best Caribbean Music Act at 2026 MOBO Awards
Key Points(5)
- The self-proclaimed “Worl’ Boss,” Vybz Kartel, emerged as the winner of the Best Caribbean Music Act at the MOBO Awards on Thursday night, marking another major milestone in his storied career.
- The ceremony, which celebrated its 30th anniversary, was held at the Co‑op Live Arena and was founded by Kanya King.
- The event highlighted some of the biggest names in Black music across multiple genres.
- Kartel beat out a strong field of nominees, including Masicka, Shenseea, Lila Iké, Ayetian, and Trinidad and Tobago’s Yung Bredda for the coveted award, which recognises Caribbean music’s impact in the United Kingdom.
- Despite his win, Kartel was unsuccessful in the Best International Act category, which went to Nigerian singer Ayra Starr.
The self-proclaimed “Worl’ Boss,” Vybz Kartel, emerged as the winner of the Best Caribbean Music Act at the MOBO Awards on Thursday night, marking another major milestone in his storied career.
The ceremony, which celebrated its 30th anniversary, was held at the Co‑op Live Arena and was founded by Kanya King. The event highlighted some of the biggest names in Black music across multiple genres.
Kartel beat out a strong field of nominees, including Masicka, Shenseea, Lila Iké, Ayetian, and Trinidad and Tobago’s Yung Bredda for the coveted award, which recognises Caribbean music’s impact in the United Kingdom.
Despite his win, Kartel was unsuccessful in the Best International Act category, which went to Nigerian singer Ayra Starr.
The night’s biggest winner was Olivia Dean, who walked away with three awards, including a major share of the evening’s honours.
Kartel’s latest MOBO win follows his receipt of the MOBO Impact Award last year. The “Fever” deejay had previously been nominated three times in the Best Reggae Act category before it was renamed Best Caribbean Music Act, reflecting the broader evolution of Caribbean music representation at the awards.
The victory adds to Kartel’s continued influence on the global dancehall scene, further cementing his status as one of the genre’s most dominant figures.
