Reggae music in all its glory by Canadian acts lit up the Rose Theatre in Toronto on Sunday, September 28, for the second annual Reggae North Music Awards (RNMA), which unfolded before a packed audience of industry veterans and young talent. The evening was proof of the genre’s powerful legacy with glimpses of the extremely bright future that lies ahead.
“This is more than an award show. It’s a movement,” Roadblock/Reggae North Radio host Sandy Daley told Caribbean National Weekly.
Event founder and producer Tony Anthony agreed, as he reflected on the incredible journey the awards’ show has taken him on.
“The response from the community, the artists, and the wider Canadian music fraternity has been humbling,” he confessed. “What brings us the greatest joy is seeing how the awards have inspired reggae and Caribbean artists to keep creating, knowing their work is valued and celebrated on a national stage.”
Multiple Juno award winner Exco Levi, who was nominated in five categories, walked away with the ‘Album of the Year’ award for his album ‘Born to Be Free.’ Released in March 2024, the 15-track disc was a collaboration with Jamaican producer Donovan Germain.
Singer Steele, who won Male Reggae Song of the Year award in 2024, returned this year to claim the Male Vocalist of the Year title. An overjoyed Steele was humbled by the recognition, posting on his Instagram page, “Much thanks mi family.”
Steele is known for hit songs ‘What’s Wrong Wid Wi,’ ‘Slave Driver,’ and ‘Woman,’ which have earned him a JUNO nomination. Other top winners included Ammoye, who picked up awards for Entertainer of the Year and Female Vocalist of the Year; Dancehall Single of the Year (Female) “Money Bounx” — Tiffanie Malvo; Reggae Single of the Year (Male) “Chosen” — Inoah and Reggae Single of the Year (Female) “How Long” – Blk- Orchid.
The Living Legend awards and tributes to Nana McLean and Grandmaster Rosa were a special moment for all in attendance.
“Nana McLean has paved the way for Canadian reggae with her powerful voice and authenticity, while Rosa has kept dancehall culture alive through sound system culture,” Tony Anthony shared. “Recognizing them is about preserving history and inspiring the next generation.”
McLean, whose career spans over four decades, is often hailed as the ‘Queen of Canadian Reggae. Her decorated career includes winning a Juno Award in 1997.
“Honoring Nana and Rosa was very special. They have been pillars in the growth of reggae, dancehall, and Caribbean culture in Canada,” Anthony shared.
“This honor celebrates her (Nana) enduring legacy as both an artist and a cultural ambassador,” he added.
Speaking about Rosa Green, Anthony said, “For years, he has been a driving force in bringing the energy of dancehall to Canadian audiences, creating spaces where the music, the community, and the culture thrive.’
The RNMA also served as an inspiring platform for younger voices, including twelve-year-old singer/actress Jazmin Headley. The young star beamed with pride after walking the red carpet and sitting through the presentations.
“Walking the red carpet was truly an amazing experience. This time was extra special, given that it was for my community and for the reggae genre. The experience was empowering. Being a part of such an amazing show was phenomenal,” she exclaimed!
She singled out meeting singer Nana McLean as a high point for her.
“My dad, who was with me, expressed how honoured and humbling it felt for him to see me with Nana. This was a beautiful moment. It was historic for all of us all. It is a moment I will never forget.”
Roadblock Radio host Sandy Daley said the highlight for her was the glowing tribute to Nana McClean and other legends, adding that the award show reaffirmed the importance of nurturing Canadian talent.
“It’s extremely important for Canada to recognize its own reggae talent and stars, as too often we look outside at others as the epitome of success. Tony Anthony, the founder of ReggaeNorth Radio, is a visionary who must be applauded,” she suggested.
When asked about the process used to select winners in the various categories, Anthony said, “We have a structured process that combines industry expertise with community engagement. Submissions are reviewed by a panel of music professionals who assess based on artistry, originality, impact, and contribution to the genre…Our aim is always fairness, transparency, and celebrating true merit.”
